~Orphaned children, meddlesome cousin, negligent heir--recipe for catastrophe? Or for love?~
When Lady Meriden's eldest stepson and husband die within days of each other, the estate passes to the second stepson. No one has seen him in years, yet he inherits everything, including his father's gambling debts and guardianship of his seven siblings. Jane Ash rushes to her aunt's aid. Months go by before the new baron comes, and Jane is left to cope with her ailing, self-dramatizing aunt and bewildered cousins, all of whom have problems. Lady Meriden alternately spoils and neglects them. Julian, the heir, has his own problems and wants nothing less than to play the heavy parent to his unknown siblings. When he does come, will he and Jane form an unexpected alliance that leads to romance?
~When Emily Foster takes up baby-farming to give her young son company, she doesn't bargain on falling in love with the children's scandalous father.~
Captain Richard Falk's brusque manner nearly alienates Emily Foster on their first meeting. Only the realization that her young son needs companions convinces her to take in his two motherless children while he returns to the fight against Napoleon's armies. For the next two years, her only contact with Falk is through his letters, terse messages, but always accompanied by charming stories for the children. She slowly falls in love with the man behind the stories. When now-Major Falk returns for a brief visit before shipping out to North America, she sees nothing of the storyteller in the tired, short-spoken soldier.
Concerned over the fate of his children if he should fall in battle, Falk sets up guardianships. An acquaintance, well-intentioned but misguided, mentions him to the half-sister he has not seen for twenty years. Falk is the son of the widowed Duchess of Newsham, but not of the late duke. Never having been declared illegitimate, Richard has some claim on the estate now held by his half-brother. There is ample evidence that attempts on his life have been made in the past, and now he fears for his children's safety. But he is a soldier, and Napoleon is once again loose in Europe, so all he can do is trust Emily, his friend Tom Conway, and his brother-in-law to protect the children. When Richard returns, wounded, from Waterloo, and speaks of emigrating to keep them safe, Emily knows she must speak her mind--and her heart--or lose him forever.
~Why does Lady Elizabeth pursue comets across the night sky when she could be distracted by the Earl of Clanross?~
Elizabeth Conway's greatest ambition is to discover a comet. Unfortunately, she is the eldest of eight daughters of an earl, so her relative expect her to take her rightful place in Society. The heavenly bodies she views through her telescope hold far more fascination for Elizabeth than any mere male, although her perpetual beau, dashing Lord Bevis, would change that if he could.
When Tom Conroy, a distant cousin and the new Earl of Clanross, appears after a year's delay, Elizabeth offers him a cool welcome. He is a dull stick and ill-mannered to boot. Yet he is the only man who has shown respect for her astronomical work, and his concern for her younger sisters' welfare reveals a different side to him. Then his heir, Elizabeth's cousin Willoughby, appears with the obvious intent of making a match between his lovely but silly sister and Clanross--and with making as much mischief as he can. Lord Bevis presses his suit with Lady Elizabeth, until she agrees, at long last, to marry him. She resists making an announcement, though, until he tells his somewhat traditional father that he will not only be marrying an heiress but her telescope.
Elizabeth discovers a comet. Clanross proclaims his pride in her accomplishment, but Lord Bevis's reaction is far more traditional. Willoughby introduces a beautiful woman into the mix and the twins further complicate it. Distraught, confused, perhaps even heartbroken, Elizabeth faces the question of what to do with the rest of her life. And what to do about Clanross, whom she just might love.
~Lark Dailey's Independence Day holiday turns tragic when her host succumbs to a poisoned cocktail.~
Lark Dailey faces a weekend at the mountain lodge of her mother’s mentor, poet Dai Llewellyn, without enthusiasm, but Lark’s detective-lover Jay finds the proximity of a notorious pot-farm interesting. The setting, a remote Sierra lake, is idyllic, perfect for canoeing and wind-surfing, not to mention fireworks. Neither Lark nor Jay expects the Fourth of July to end in murder.
Surrounded by old friends, ex-lovers, devoted servants--and someone who does not love him--the poet collapses. He has been poisoned by tincture of larkspur in his Campari. The irony is not lost on Lark, whose bookstore is called Larkspur Books, nor on Jay, who is tapped to investigate.
Jay’s investigation is complicated by the murder of two key witnesses and by bizarre embellishments in all three killings. The embellishments suggest that something less straightforward than greed is driving the killer, something like madness. The tangle of suspicion widens to include not only the poet’s weekend guests but even Lark’s charming, book-loving clerk.
Lark worries that her mother, who comes to town after the San Francisco funeral, may be in danger too, because someone does not like poets, and Mary Dailey, a noted poet, is Llewellyn’s literary executor. Her co-executor may have his own reasons for wanting to control the relics of Dai Llewellyn’s past. As Jay awaits a search warrant, a cocktail party of survivors gathers to honor Lark’s mother, and Lark determines to crash it in time to prevent another poisoning. Unfortunately, she’s not sure who the murderer is.
~When Lady Jean Conway fell in love with a wildly handsome but seditious Welsh poet, her twin set out to help her--or rescue her.~
Lady Jean Conway is wildly in love with Owen Davies, a Shellesque poet who is cataloguing the Brecon library, whereas her twin, Lady Margaret, has a tendre for Lord Clanross's private secretary, who is in love with Jean. Both Johnny Dyott, the secretary, and Owen are involved in Radical politics. So is the Earl of Clanross, who wants an immediate reform of Parliament, to the horror of Lady Anne, his political sister-in-law. His wife, Lady Elizabeth, wants to study comets, and his best friend can't decide whether to give away the fortune he's inherited or buy his wife the country estate she yearns for. These intertwined stories play against a canvas of public events, including the divorce of Queen Caroline, in 1820, the silliest year in English history.
~Trapped in the explosive aftermath of Lockerbie, Lark pursues a killer from London to wild Wales.~
In London for a booksellers’ conference, Lark shares a small flat with Ann Veryan, an English teacher from Georgia. While Lark pursues collectible books, Ann explores London for the first time. They’ve struck up a friendship with Milos Vlacek, a Czech refugee waiter from the conference hotel. On their way home from a matinee of Macbeth at the Barbicon, Milos is stabbed on the Underground. Minutes earlier he had given Ann a manuscript to carry for him in her huge needlepoint purse.
What do you do if you’re a foreigner trapped in a British police investigation? Lark sends for husband Jay, who was coming over for a police conference. She also mails a copy of the Czech-language manuscript to her father, who has a colleague capable of translating it. Milos is not dead, but his injuries are grave. When Lark’s landlady is murdered, police suspicion of Lark and Ann intensifies. Jay may arrive to find his wife in the Old Bailey. Clearly Lark has to Do Something.
Questions abound. Who is Milos? Why was he stabbed? What’s in the manuscript? Who would kill an inoffensive elderly Englishwoman in her own hallway? When Milos, still very ill, goes missing, Lark and Ann venture out into the English countryside to find him--with explosive consequences.
