Natalie Dane is struggling. Against the advice of friends and family, she embraced selling real estate, a career that's gone nowhere fast. In fact, the owners of her agency have issued an ultimatum: sell the McAdoo House or clear out your office. The problem? The structure in question is over one-hundred-years old, seriously run down, and, according to potential buyers, has an odd feel to it. Enter Simon Grayson, a man with questionable experience in haunted houses and talents no sensible person should trust. Worse, he's clearly oblivious to Nat's figure flaws, an attitude that flatters as much as alarms her. Focused on saving her career and struggling with low self-esteem, she has used her busy days as an excuse to avoid men. Simon, with his easy smile and blatant compliments, could easily break down her emotional barriers. She knows she'd be smart to avoid him. But times are hard, and Natalie is desperate--so desperate that she hires the guy in spite of his charm and good look.

Can Simon work his magic not only on the house, but on the woman trying to sell it? And what will happen when the job is done and it's time for him to ride his Harley into the sunset?

In London for a booksellers’ conference, Lark shares a small flat with Ann Veryan, an English teacher from Georgia. While Lark pursues collectible books, Ann explores London for the first time. They’ve struck up a friendship with Milos Vlacek, a Czech refugee waiter from the conference hotel. On their way home from a matinee of Macbeth at the Barbicon, Milos is stabbed on the Underground. Minutes earlier he had given Ann a manuscript to carry for him in her huge needlepoint purse.

What do you do if you’re a foreigner trapped in a British police investigation? Lark sends for husband Jay, who was coming over for a police conference. She also mails a copy of the Czech-language manuscript to her father, who has a colleague capable of translating it. Milos is not dead, but his injuries are grave. When Lark’s landlady is murdered, police suspicion of Lark and Ann intensifies. Jay may arrive to find his wife in the Old Bailey. Clearly Lark has to Do Something.

Questions abound. Who is Milos? Why was he stabbed? What’s in the manuscript? Who would kill an inoffensive elderly Englishwoman in her own hallway? When Milos, still very ill, goes missing, Lark and Ann venture out into the English countryside to find him--with explosive consequences.